Bulletproof Suzy

The story is set in a near future Britain in the direst quarter of an unnamed city. This is a landscape of tower blocks of huge street lamps that turn the world a shade of greyish orange – beneath which all human activity seems suspect – of winding paths and foot bridges over never quiet motorways. A government initiative to deal with increasing opposition to unpopular council tax rises contracts bands of citizen volunteers to collect payment. Francine O’Brallahan aka Bulletproof Suzy, a highly intelligent though somewhat violent member of the urban underclass, recruits three other young females, her ‘little ladies’, to exploit the opportunity to earn enough cash to find a better life. Suzy’s middle class, politically correct friend, Joanne disapproves of the venture and their friendship is broken. Joanne is found brutally murdered outside Suzy’s tower block not long afterwards. Suzy and her crew set about finding the killer to exact retribution in the only way that they know, but there are two deadly and ominous complications: as far as the city police are concerned, Suzy herself remains the prime suspect and there appears to be damning video evidence to back up their theory; and there is a menacing new gang infiltrating Suzy’s neighbourhood – they’re numerous, sophisticated and armed to the teeth and they’re after Suzy’s blood. Ian Brotherhood’s debut novel seems destined to become a modern cult classic. Suzy’s narrative is pacy, fresh and idiosyncratic and her character is an astonishing creation-perhaps the first significant female anti-hero of the 21st century. This is a short sharp left hook of a book, and it hits the spot.

Publisher: Myrmidon Books
Year: 2006
ISBN: 1905802005

Ian Brotherhood

Over the past 25 years I have attempted all known forms of creative writing, and eventually gravitated towards the novel. I aim to produce exciting, thought-provoking fiction. My favourite authors are Orwell, Harold Pinter, Hubert Selby, Phillip K. Dick, Beckett, Joyce, and London. My favourite Scottish authors are Kelman, Gray, Leonard, and Galloway.

The strong points in my work are my ability to confront unpleasant facts, first-person narratives, monologues, sharp dialogue, and my dark humour. My weak points include a powerful aversion to cliches and stereotypes, which makes most of my work unsuitable for mainstream consumption. Much of my work in recent years centres around the themes of conspiracy, silence, and secrets, be they on the personal, family, civic or national/international levels. I have been awarded Scottish Arts Council Writers Bursaries (2001 and 2007) and the Robert Louis Stevenson Fellowship in 2002.