Scottish Modernism and its Contexts 1918-1959

ISBN-13: 978-0748634743

Published by Edinburgh University Press 2009

This innovative book proposes the expansion of the existing idea of an interwar Scottish Renaissance movement to include its international significance as a Scottish literary modernism interacting with the intellectual and artistic ideas of European modernism as well as responding to the challenges of the Scottish cultural and political context. Topics range from the revitalisation of the Scots vernacular as an avant-garde literary language in the 1920s and the interaction of literature and politics in the 1930s to the fictional re-imagining of the Highlands, the response of women writers to a changing modern world and the manifestations of a late modernism in the 1940s and 1950s. Writers featured include Hugh MacDiarmid, Lewis Grassic Gibbon, Neil M. Gunn, Edwin and Willa Muir, Catherine Carswell, Naomi Mitchison, Sydney Goodsir Smith and Sorley MacLean.Key Features *The first study of a Scottish modernism extending in its impact to the 1950s and drawing on influences from British and European modernism *Original perspectives on the literature of the period through discussion of a range of writers and writing genres *Detailed consideration of the work of women writers in the context of modernism and in their response to social change *A contribution to the expansion of the idea of modernism in its focus both on the modernist artist’s role in social and national renewal and on writing from the peripheries of small town, rural and island cultures in contrast to metropolitan culture.

Margery McCulloch

Margery Palmer McCulloch is a literary scholar and critic who has published widely on twentieth-century Scottish literature. Her particular interest is in the literature of the interwar period, popularly known in its own time as the ‘Scottish Renaissance’, but increasingly recognised as a Scottish contribution to literary modernism. This is also the period when Scottish PEN was founded in 1927 by Hugh MacDiarmid, who was joined by most of the leading writers of the time including Edwin and Willa Muir, Neil M. Gunn, Lewis Grassic Gibbon and Helen Cruickshank who followed MacDiarmid in the role of Secretary. Nationalism and internationalism were two sides of the one coin for the interwar literary reformers, with Europe an especially strong interest and influence, and Scottish PEN was represented by its own delegates in the European Congresses of the 1930s while in 1934 the PEN Annual Congress was held in Edinburgh with great success.
Margery Palmer McCulloch’s books on this internationally-oriented Scottish literary movement include Scottish Modernism and its Contexts: Literature, National Identity and Cultural Exchange, published by Edinburgh University Press in 2009 (ISBN 978 0 7486 3474 3, also available as an E-book); and Modernism and Nationalism, a collection of primary source documents for the movement, Association for Scottish Literary Studies, 2004 (ISBN 0 948 8877 59 6). Review comments include: ‘indispensible to anyone interested in the twentieth-century Scottish Renaissance’ (TLS), ‘essential materials for rethinking British as well as Scottish modernism’ (MODERNISM/modernity) and ‘a significant intervention in the “new Modernism” of the past decade’ (Review of English Studies). She is currently working on a joint biography of Edwin and Willa Muir and their European connections with research funded by a Leverhulme Fellowship.